I came home from a recent trip and was surprised and sad to find a hole in my deck. It’s just one board, so I thought, Okay… someone can probably repair that.
Well, I have a pretty good idea how that happened now, because a groundhog played peekaboo with me today.
It’s a literal game of whack-a-mole over here.
A groundhog emerging from a hole in my deck. Sigh.
The heading “July” written on a paper calendar. Public domain.
Today is July 1, and this means as of today, we are entering the second half of 2026.
I know that many people in our world — actually, probably most of us — have been living with more uncertainty than makes us comfortable. And some are experiencing these realities in the extreme.
But among the things we can impact, were there certain hopes tyou set for 2026 as you entered this year? People and places you wanted to see? Encouragement you wanted to provide? Art you wanted to create? Nature you wanted to appreciate? Goals you wanted to set? Values that you wanted to live?
However those are going, we can renew those hopes any time. Here’s the Second Half.
Today I’d like to introduce you to the work of Tricia Hersey — poet, performance artist, and Nap Bishop.
For years, she has been inviting people to think differently about rest, not as laziness or something to be earned, but as a deeply human, restorative, and even liberating practice. Rest can care for our bodies, re-center us, and create space for imagination, dreaming, and healing.
At the heart of Hersey’s work is the recognition that this is especially true for people who have experienced oppression, and for communities whose ancestors endured violence, forced labor, and exploitation. She explores these themes in her wonderful book Rest Is Resistance: A Manifesto and through her ongoing work with The Nap Ministry.
Today, I’d simply like to share a few of her quotes from Rest is Resistance. I’m passing along an invitation for us to see what resonates, what challenges us, and what invitations these words might hold:
1. “The Rest Is Resistance framework also does not believe in the toxic idea that we are resting to recharge and rejuvenate so we can be prepared to give more output to capitalism. What we have internalized as productivity has been informed by a capitalist, ableist, patriarchal system. Our drive and obsession to always be in a state of “productivity” leads us to the path of exhaustion, guilt, and shame. We falsely believe we are not doing enough and that we must always be guiding our lives toward more labor. The distinction that must be repeated as many times as necessary is this: We are not resting to be productive. We are resting simply because it is our divine right to do so.”
2. “I feel like a legacy of exhaustion resides somewhere in all of us, but specifically resides in the bodies of those who have melanated skin.”
3. “We are socialized into systems that cause us to conform and believe our worth is connected to how much we can produce. Our constant labor becomes a prison that allows us to be disembodied. We become easy for the systems to manipulate, disconnected from our power as divine beings and hopeless. We forget how to dream. This is how grind culture continues. We internalize the lies and in turn become agents of an unsustainable way of living.”
4. “You must resist anything that doesn’t center your divinity as a human being. You are worthy of care.”
5. “I want us to understand that nuance is freeing and freedom. There is no such thing as cookie-cutter healing. Everyone brings with them an origin story, a history, and identities that are interconnected. There is room to rest in the freedom of managing your own deprogramming journey. It is never either/or and always both/and. You don’t have to grind, hustle, accept burnout as normal, and be in a constant state of exhaustion and sleep deprivation. You don’t have to kill yourself spiritually or physically to live a fruitful life.”
A pathway on a board walk, surrounded by grasses, Madison, Wisconsin. Wikimedia Commons.
I appreciate Melissa Kirsch, who writes The Morning, the Saturday edition of the daily newsletter from The New York Times. We typically expect a simple list of news stories (though the news is hardly simple), but she often begins the Saturday newsletter with a more reflective tone.
Over the weekend, she wrote about Serena Williams, who returned to Grand Slam singles after four years. When she previously stepped away from tennis, she shared that she had never liked the word “retirement. Instead, she said, “I’m here to tell you that I’m evolving away from tennis, toward other things that are important to me.”
That’s a different way to frame transitions and change.
When we evolve toward something or away from something, we can open — and be opened — to new possibilities. And because we haven’t necessarily closed a door, we might also be able to evolve back, but as people who have been shaped by the time away.
Melissa Kirsch suggested making a simple list:
What are you evolving away from?
What are you evolving toward?
I appreciate that this isn’t simply a way of naming endings and future goals, as though one is completely finished and the other has not yet begun. In both directions, evolution is a process.
So how would you answer those questions? What are a few things you’re evolving away from? And what are a few things you’re evolving toward?
I had the wonderful opportunity to represent my organization as a sponsor and exhibitor at the 2026 Michigan Public Health Association Summit. While there, we heard from Dr. Nandi Marshall, President of the American Public Health Association. She was a dynamic and inspiring speaker.
She’s also a highly skilled health educator who teaches people how to make public health information accessible. Even though she was speaking to a room full of professionals, I watched her model this beautifully. Part of accessible communication is building relational knowledge, trust, and approachability.
She did this so well with a slide titled, “Who Curated My Lens?” It included photos of family members, and she talked about the impact each of them had on her life. They have greatly influenced the way she approaches her work.
That simple question framed the rest of her presentation, and I greatly enjoyed connecting with her afterward.
So now I’m wondering:
Who curated your lens?
Who has shaped the way you see the world? The way you do the work you do?
“Well, that made me feel feelings,” a friend of mine used to say whenever he found something to be especially stirring.
There’s a piece of music often paired with internet memes and reels, usually connected to something meaningful or awe-inspiring. It’s just a tiny snippet of a song that is actually brief in and of itself. But whenever I hear it, I always feel feelings.
“What is this piece?” I wondered earlier this week. I looked up the full piece of music. It’s titled Agape, and it’s part of the soundtrack of the 2018 film If Beale Street Could Talk, based on the 1974 James Baldwin novel of the same name.
The piece is composed by Nicholas Britell. I encourage you to take some time to listen to this today, and perhaps with some headphones or earbuds.
I listened to it on repeat on a drive to Lansing and cried, thinking of a lot of good memories — and with gratitude, feeling feelings.
I was walking around a small town in Michigan when I looked down and saw a resilient, heart-shaped cluster of flowers growing from a crack in the sidewalk. Lovely. I sent a photo to a few people whom I consider especially resilient.
When was the last time you told yourself — or perhaps someone else — one of your stories of resilience? Something difficult you moved through? Something you survived? Or perhaps a story that was passed down through your family?
What if you made space for a little resilient storytelling this week, even if only for yourself?
Artemis, the Baby Yard Bunny in the grass, next to my deck. Photo: Renee Roederer.
This is Artemis, this season’s baby yard bunny.
Every year, except for last year (sadness, the streak was broken!) a baby bunny has grown up in my yard during the spring and summer seasons. Cottontail rabbits are pretty territorial, so likely many of them, if not most of them, are related. Generations of yard bunnies. I’m pretty lucky.
Though the crew of Artemis II ventured farther away from Earth than any human beings in history, this tiny Artemis stays close to my home. Though I’m sure she thinks of it as her home, and that’s fine with me.
I enjoy watching her hop around and eat blades of grass that I assume are going to be too big for her. But they never are.
Every year, I find myself thinking about how these little ones only know my yard, or perhaps a few neighboring yards. They have no idea that I take photos of them and post about them. And then that makes me think about how small my world — our world —really is.
Think of all the things we don’t know! We don’t even know what we don’t know.
The universe, and perhaps even a multiverse (wild!) is utterly beyond our comprehension. Though I’m glad we keep exploring.
Yard bunnies are amazing, delightful, and humbling.